The Feet of God
22 - EXODUS*
Bob and me followed Ma’s lead
to the dining barn. Apparently it was
second seating. Scruffy youngsters stood
around idly chatting among mostly empty pots and pans and small piles of turkey
hash, Velveeta, and reconstituted egg product.
The place was hot and steaming. I
reaped me a couple’a stale Happy Boy donuts and tried to be as inconspicuous as
possible. The place was a hive of
youthful lethargy and the stench of unchanged clothes.
Ma hopped up on one of the makeshift tables.
“Seekers! Finders! Reapers!
Your Mother is talking to you. So
listen up.”
The grunting sounds fell silent. “My
precious little lambs, I have a public service announcement to make. As you know, by the will of our Master,
Krishna Merman, I have sent you forth, two by two, or four by four, six by six
or whatever, it doesn’t matter, to spread our message along The Path. The higher aim and greater purpose was to
gather unto ourselves the bounty to which we are all universally entitled.”
A voice in the back of the room cried out, “For the love of Merman, what’re you
talking about?”
“What I have to tell you is difficult.”
Ma turned her face to the ceiling, cleared her throat, and swirled the
orange wings of her gown as she sang in a decent rhythmic reggae:
Exodus, movement of Jah people
Exodus, movement of Jah people
Men and people will fight ya down, tell me why
When you see Jah light
Let me tell you if you’re not wrong, and why
Everything is all right
Exodus, movement of Jah people
Exodus, movement of Jah people
Open your eyes, and look within
Are you satisfied
With the life you’re living
We know where we’re going
We know where we’re from
We’re leaving Babylon
We’re going to our father land
A complaint rose from the back, “I don’t speak Rasta.”
Ma stopped her singing long enough to explain in plain words. “My lambs.
It is far better for us to fan out before being led to slaughter in
Babylon. You need to show your devotion
to the ways of Krishna Merman starting now.”
The barn was stunned into silence.
“In other words,” Ma was loud and emphatic, “it’s time for you to leave.”
The crowd muttered. Ma spoke up over the
background buzz, “Seekers, raise your hands.”
She started counting, “One, two, four, five, nine….”
A voice yelled, “Thirty-two Seekers.”
“Right, okay.” Ma went on, “Now Finders,
raise your hands. Hmm, uh-huh, looks
like….”
“Thirty-one,” another voice shouted.
“Well, that won’t work.” Ma scanned the
crowd. “You, over there, with the purple dreadlocks. You a Seeker?”
“Yeah,” the boy scratched under the armpits of his torn flannel shirt.
“Congratulations. You’ve just been
promoted to newbie Finder.” Ma waved her
hand in benediction. “All right then,
that’s thirty-two of each. Pick your
partner and pack your things. You’re all
heading down The Path. I repeat, this is
not a test. I want the lot of you out of
here by sundown.”
As bewildered young travelers milled about, Ma shouted to her Reapers, “Be sure to check their backpacks and other personal possessions before they go.”
Again Ma spread her arms and smiled down benevolently on the gathering. “Don’t hit the road without the latest edition of the Itinerant’s Guide. Or you can download the app. It’s handy and well worth the $12.50. And be sure to come and kiss your Ma goodbye. And Reapers, there will be a meditation for our departing ones after sunset.”
She started up her singing again:
Exodus, movement of Jah people, oh yeah
Movement of Jah people
Send us another brother Moses
From across the Red Sea
Send us another brother Moses
From across the Red Sea
Exodus, exodus, exodus, exodus
Exodus, exodus, exodus, exodus
One, two, three, four
Move, move, move, move
Move, move, move, move
Exodus, movement of Jah people
Movement of Jah people
Movement of Jah people
It was an entirely unexpected and amazing performance, I gotta admit. The impromptu recital concluded with the old woman springing off the shaky platform she used for a stage and cartwheeling out the door.
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*Bob Marley & The Wailers, Exodus (1977)